What kind of summit is Christoph Marthaler's “The Summit” about? A natural phenomenon? An exclusive political forum? A pastry? And who are the climbing specialists, summit participants, and pastry chefs? As is usually the case in the Swiss director’s work, the answers to such questions are not clear-cut. Rather, they become tangible in cross-fades and form branching paths through the labyrinths of everyday thought and action that are in danger of collapsing.
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