The instrumental cycle „Haus” by composer Sarah Nemtsov enters the Turbinenhalle inside Bochum’s Jahrhunderthalle like a sentient being. The music touches the surfaces and interiors of the room, builds rooms on top of each other, creeps into a chamber, cuts windows into the imagination and fails to find the door again. Solo miniatures and ensemble pieces for harp, flute, clarinet, drums and electroacoustic instruments negotiate complex states of community, individualization and loss of contact. The directorial and videographic work by Heinrich Horwitz and Rosa Wernecke in the installation-like scenery tears down the old to create space for the nucleus of a utopian new construction. Cross sectional transformation processes capture the body and the room, make you nauseous and hit the walls to carry their rendering to the outside.
We use cookies to provide the best website experience for you. By clicking on "Accept tracking" you agree to this. You can change the settings or reject the processing under "Manage Cookies setup". You can access the cookie settings again at any time in the footer.
Data Protection Guidelines | Imprint
We use cookies to provide the best website experience for you. By clicking on "Accept tracking" you agree to this. You can change the settings or reject the processing under "Manage Cookies setup". You can access the cookie settings again at any time in the footer.
Data Protection Guidelines | Imprint